Why is it that men, and not women, have always had power, wealth, and fame? Woolf cites the two keys to freedom: fixed income and one's own room. Foreword by Mary Gordon.

"Are women able to achieve anything they set their minds to? In How to Suppress Women's Writing, award-winning novelist and scholar Joanna Russ lays bare the subtle--and not so subtle--strategies that society uses to ignore, condemn, or belittle women who produce literature. As relevant today as when it was first published in 1983, this book has motivated generations of readers with its powerful feminist critique."--Publisher's description.

Helene P. Foley is Professor of Classics at Barnard College, Columbia University. She is the author of Ritual Irony: Poetry and Sacrifice in Euripides, coauthor of Women in the Classical World: Image and Text, and editor of Reflections of Women in Antiquity and of The Homeric Hymn to Demeter (Princeton). Although Classical Athenian ideology did not permit women to exercise legal, economic, and social autonomy, the tragedies of Aeschylus, Sophocles,...

Part literary history, part feminist historiography And Wrote My Story Anyway: Black South African Women's Novels as Feminism critically examines influential novels in English by eminent black female writers. Studying these writers' key engagements with nationalism, race and gender during apartheid and the transition to democracy, Barbara Boswell traces the ways in which black women's fiction critically interrogates narrow ideas of nationalism. She...

"With her golden lasso and her bullet-deflecting bracelets, Wonder Woman is a beloved icon of female strength in a world of male superheroes. But this close look at her history portrays a complicated heroine who is more than just a female Superman. The original Wonder Woman was ahead of her time, advocating female superiority and the benefits of matriarchy in the 1940s. At the same time, her creator filled the comics with titillating bondage imagery,...

A sensation upon its publication in 1970, Sexual Politics documents the subjugation of women in great literature and art. Beginning in 1830 and targeting four revered authors: D.H. Lawrence, Henry Miller, Norman Mailer, and Jean Genet, Kate Millett builds a damning profile of literature's patriarchal myths and their extension into psychology, philosophy, and politics. Her eloquence and popular examples taught a generation to recognize inequities masquerading...

"In Troubled Memories, Oswaldo Estrada traces the literary representations of several iconic Mexican women in the midst of neoliberalism, gender debates, and the widespread commodification of cultural memory. Specifically, Estrada examines recent fictionalizations of Malinche, Hernán Cortés's indigenous translator during the Conquest of Mexico; Sor Juana Inés de la Cruz, the famous baroque intellectual of New Spain; Leona Vicario, a supporter...

"The Golden Age of Comics (roughly the late 1930s through the 1950s) saw the birth and rapid growth of the industry, but unfortunately and unsurprisingly the role of women was often problematic during this period. Few women creators worked in comics, and those that did frequently worked anonymously or under pseudonyms and were subject to workplace harassment and discrimination. Similarly, female characters were often poorly presented and framed in...

Essays offer a critical analysis of "The Bondwoman's Narrative," a first novel written by a female African-American slave, assessing the influence of the work on our view of slavery, African-American history, and antebellum literature.

"Winner of the 2008 Barbara Perkins and George Perkins Prize" "Winner of the 2008 Alan Bray Memorial Award" "Winner of the 2008 Albion Book Prize" "Winner of the 2007 Lambda Literary Award for best book in LGBT Studies" "Finalist for the Judy Grahn Award for Lesbian Nonfiction, Publishing Triangle" Sharon Marcus is Associate Professor of English and Comparative Literature at Columbia University. She is the author of Apartment Stories: City and Home...