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Poet, draughtsman, engraver and painter, William Blake's work is made up of several elements – Gothic art, Germanic reverie, the Bible, Milton and Shakespeare – to which were added Dante and a certain taste for linear designs, resembling geometric diagrams, and relates him to the great classical movement inspired by Winckelmann and propagated by David. This is the sole point of contact discernible between the classicism of David and English art,...
Author
Description
"Our sense of eighteenth-century poetic territory is immeasurably expanded by [this] excellent historical and cultural" study of UK women poets of the era (Cynthia Wall, Studies in English Literature).
This major work offers a broad view of the writing and careers of eighteenth-century women poets, casting new light on the ways in which poetry was read and enjoyed, on changing poetic tastes in British culture, and on the development of many major...
Author
Description
An original take on literary history that uses visual satire to explore literature's importance to eighteenth-century political culture The first in-depth analysis of the relationship between literature and visual satire in eighteenth-century Britain, this engaging study explores how the works of Shakespeare, Milton, Swift, and others were taken up by caricaturists as a means of helping the public make sense of political issues, outrages, and personalities....
Series
Publisher
Kultur
Pub. Date
[2006]
Description
"As the ultimate example of the Romantic artist, William Blake made radical developments in art technique to communicate his vision. However visual art was just one facet of his achievement. In his famous illuminated books, Blake combined painting, engraving and poetry, some of which are now the most famous in the English language. However, Blake's visual art can be far more readily appreciated, and pictures such as The ancient of days remain a powerful...
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